Hybrid Live Coding Interfaces 2022: Bodies, Voices, and Pedagogies invites practitioners of live coding and those that are adjacent to submit proposals for lightning talks, mini-performances, speculations/ponderings and/or art works.
How are you reflected through your code? Is your identity found in your on-the-fly decisions? What does your body do when you code? Does it touch, move, shift, breath through the keyboard, screen, code, algorithms? How have you learned live coding? How do you approach teaching live coding? What philosophies influence your pedagogy? What history shapes your method? How does the past, present, or future shape how you code? How does it shape how you talk about code?
Live coding isn’t just about what is written on the screen but also shows the person, the state of their mind and body, and their relationship with the audience. In this call, we are interested in proposals that explore live coding beyond the computer and into the sensational, corporeal and translational through autoethnographic, reflexive praxis.
Topics include but are not limited to
The body - Body as input, body as output
Voice - Voice as live coded instrument, voice as score
Embodiment - Embodiment of code, embodiment of technology, embodiment of instructional art, embodiment of feedback, synesthesia
Identity - Queering live coding, heritage and live coding, race and live coding
Education - Teaching live coding, learning live coding
FULL SCHEDULE HERE:
https://docs.google.com/document/d/13F-yfDwOOnvYgKT-aXOOxxXUsoV6Qwwr8ZqGmaAALk4/edit?usp=sharing
The 2022 workshop is co-organized by Kofi Oduro , Melody Loveless and Kate Sicchio.
Tuesday, December 6, 9am EST - Identity
Kofi Oduro (illestpreacha), Melody Loveless, Kate Sicchio | Introduction to the workshop |
Liam Baum | Strength in Numbers: Introducing Live Coding to Students in a Group Setting. |
elekhlekha (Nitcha Tothong and Kengchakaj Kengkarnka) | Jitr(จิตร): A speculative, imaginary electronics ensemble using research, live coding, music technology, and visual art aiming to reconcile the lost connection of Southeast Asia's shared heritage. |
Sumedha Bhattacharyya | Water nodes : embodied presence, delay and emotive ownership in dancing with motion capture technology |
Paulo Simón García | |
Mynah Marie (Earth to Abigail) | Integrating Elements of Personal Shamanic Practices in Live Coding Performances |
compudanzas | qiudanz tag |
Group Q&A (15 minutes) | Moderator: Kate Sicchio |
Tuesday, December 6 , 10:30am EST - Education and the Future
Anthony T. Marasco | Talking to your Computer About Music: Live Coding as an Introduction to Computer Music Performance for Newcomers |
Martyn Eggleton | "Building to the Drop : How we learnt to Algorave by hacking on FoxDot" |
Francesco Corvi | Live coding in middle school: how to improve music teaching with live coding. |
Sara Bouchard | Embodying Landscape in Sonic Pi |
Roxanne Harris | What's Your Process?: An Exploration of Approach and Methodology for Live Coding with Sonic Pi |
Group Q&A (15 minutes) | Moderator: Kofi Oduro (illestpreacha) |
Wednesday, December 7, 9am EST - Voice
Melody Loveless | Performance |
Jonathan Chaim Reus | Performing Voices without Bodies |
Alex McLean | Live coding without anything |
Jessica Garson | Deconstruction / Decay / Beauty |
Group Q&A (15 minutes) | Moderator: Melody Loveless |
Wednesday, December 7, 10:30am EST - Embodiment and Movement
Kofi Oduro | |
Sabrina Sims | emotional bodycircuits |
Snow Schwaz | Re-relating to computers |
Henry Haoyu Wang | Henrypedia: Live performance though motion capture, 3d scan, and game engine |
Kate Sicchio + David Ogborn + Locomotion Team | Locomotion Performance |
Group Q&A (15 minutes) | Moderator: Kofi Oduro |